Yesterday it was paperback publication day for Kirsty Ferry’s third Rossetti Mysteries book, The Girl in the Photograph, and today Kirsty joins us on the blog to chat a little bit about the historical inspiration for the novel …
I can’t tell you how thrilled I am to finally see three of the Rossetti Mysteries in paperback. It is absolutely a dream come true, and they all look so utterly stunning together that I can’t help staring at them and, yes, even stroking the covers.
However, a book doesn’t turn into a book without a spark of inspiration, and my inspiration for The Girl in the Photograph was a lady called Julia Margaret Cameron. Cameron was a photographer who lived from 1815 to 1879. She became known for portraits of contemporary celebrities and depictions of Arthurian legends and other wonderful themes so beloved by the Pre Raphaelites that have coloured this trilogy. As the slightly rebellious nineteenth century Pre Raphaelite Movement, founded in 1843 by Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt (who you may remember from The Girl in the Painting) progressed from poetry, to art, to photography, so my books have followed this path. I also incorporated some later art movements in this book; Dame Laura Knight who was part of the Lamorna group of artists in Cornwall visited Staithes in Yorkshire and was part of their art community for a little while. Laura and the Staithes Group all deserved a spot in my book too.
I decided I wanted to use Cameron and her photography when I discovered a newspaper clipping hidden inside a second hand Pre Raphaelite Tate exhibition catalogue I ordered from Amazon. The clipping fluttered out as I was looking for a picture of Lizzie Siddal, the muse and lover of Rossetti. It depicted a profile of a mysterious lady who Cameron had photographed, and there was a discussion over who she might have been. There was going to be an exhibition including this picture and the experts all had their opinions on her. I read the extract with a mounting sense of excitement. This, I knew without a doubt, was to be the premise for my next Rossetti book – a beautiful girl in a photograph, a moment in time captured in black and white and attributed to Julia Margaret Cameron. It was easy to know who would ‘star’ in my contemporary thread – it had to be Lissy, Jon’s sister from Some Veil Did Fall. The question was, what is Lissy really like? She spends all her time matchmaking, but she’s hiding some hurt from her past and has quite a brittle veneer – but then in comes Stefano, the one she can’t get over. Can he change her back to the loving girl she really is beneath all the London polish? And my historical couple – well, I couldn’t resist Julian as soon as I started writing about him. He’s a photographer capturing the last days of the Staithes Group of artists, and staying in the Dower House of Sea Scarr Hall, the home of Lady Lorelei Scarsdale. Like Lissy, Lorelei is hiding some secrets and only Julian can get close enough to discover who she really is.
So yes, I loved writing these books (which is why I did a Christmas one as well – there were only ever meant to be three originally!) and loved the way everything just slotted into them from my research and inspiration. I really hope you enjoy reading them just as much.